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  • Contributing Institution: Pitts Theology Library
    Description: The great harlot of Revelation 17 is shown here and is presented with a caption identifying her with the Pope
  • Contributing Institution: Pitts Theology Library
    Description: A rendering of the Pope with an audience
  • Contributing Institution: Pitts Theology Library
    Description: Appearing on the title page of this volume by the Jewish convert to Christianity, Johannes Pfefferkorn, this engraving of the crucifixion shows Jesus’ blood flowing from his wounds into a font. Mary the mother of Jesus shelters the faithful on the left, while the pope (note the triple tiara and t...
  • Contributing Institution: Pitts Theology Library
    Description: The papal coat of arms for Julius II (1503-1513), keys and the triple tiara, and tree
  • Contributing Institution: Pitts Theology Library
    Description: This sharp piece of anti-Catholic polemic portrays the pope (note the papal crown) as the Antichrist, half-bull and half-human, trampling books and wielding a sword
  • Contributing Institution: Pitts Theology Library
    Description: Adorning the title-page of a work by Martin Luther against the papacy, the papal throne is shown at the flaming maw of hell
  • Contributing Institution: Pitts Theology Library
    Description: Pope Alexander III receives the Holy Roman Emperor Frederick I (Barbarossa)
  • Contributing Institution: Pitts Theology Library
    Description: John measures the Temple with a measuring rod, and before him is a beast (wearing the papal tiarra) and two, robed human figures.
  • Contributing Institution: Pitts Theology Library
    Description: Title page for 'Pontificale Romanum Clementis VIII. Pont. Max. iussu restitutum atque editum' (Rome, 1595), a book describing rites performed by Roman Catholic bishops. It was also called 'Liber Sacramentorum,' 'Liber Officialis,' 'Liber Pontificalis,' etc. The engravings of the work in the Digi...
  • Contributing Institution: Pitts Theology Library
    Description: This engraving was done by Lucas Cranach, the Elder, and also appears in Passional Christi und Antichristi; it shows the Pope accompanied by a bishop and cardinals with soldiers on the way to Hell