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Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Surrounded by freshly lit faggots, Flower ("Lord receiue my spirite." ["Lord receive my spirit."]) stands against a stake and raises his arms upward. Workers add new faggots to the pyre. Flower's right hand has been cut off and impaled on a spear, and his wrist bleeds at its stump. A man on horse... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: An unclothed man and woman burn back to back at a stake. This woodcut appears in the first (1563) and second (1570) editions to illustrate the burning of Simon Miller and Elizabeth Cooper at Norwich. It appears in the fourth edition (1583) to illustrate the burning of Alexander Gouch and Alice Dr... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Flames engulf three unclothed women, who burn at the stake in this pathetic scene. An infant emerges from the womb of the central woman, and she spreads her arms in helplessness. A cleric directs the worker tending the fire, and a crowd of soldiers and other officials observes the execution. Thes... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Flames engulf Haukes ("O Lord, Receiue my spirite." ["O Lord, receive my spirit"]), who burns outside Coxehall in Essex. Haukes raises his arms above his head and gazes upward as he slumps against his chain. A man on horseback supervises the execution, and a crowd of soldiers and alarmed civilian... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Following his arrest, Thomas Cranmer ("L. Receiue my spirit" ["Lord receive my spirit"]) burns at the stake outside Oxford. Cranmer punishes his right hand in the fire because it had signed a statement that recanted his Protestant belief prior to his execution. A friar (identified xylographically... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Surrounded by faggots, eleven martyrs stand back to back against three stakes. Two women stand untied among them. Some martyrs gesture in prayer, and others extend their arms outward from their bodies. Workers prepare the pyre, and a soldier attempts to keep an active crowd, some of whom observe ... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: A jailor ("Gaoler" ["Jailor"]) guards Bradford ("Bradford."), while Spanish friars question him in his cell. One friar ("Alphon.") questions Bradford directly, and a second friar ("confessor.") and a priest stand behind the first friar. Bradford carries a book, which symbolizes a Bible, in his ri... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Soldiers forcibly march a group of old and young men and women who have been tied together. As they pass by on their journey to London for interrogation by Bishop Edmund Bonner, a figure looks down from the window of a dilapidated building. A cartouche above the prisoners displays the following v... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Two soldiers each drag a man along the ground on his back. The men are bound with rope. The soldier in the foreground raises his rope above his head with his right hand and pulls the Christian by the wrists, while the Christian looks upward. A second soldier drags a second man by the ankles, whil... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Oldcastle hangs chained from a gallows and suspended over a burning pyre. Workers tend the fire, and a supervisor leads his horse nearby. A large crowd of civilians, clerics, and monks observes; some of these figures express alarm, and others express mockery. This woodcut appears in the first thr... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Surrounded by faggots, seven figures stand back to back and against three stakes. The central man is bound at the waist, and the man on his left extends his arm upward. As men on horseback direct the execution from either side, a worker prepares additional faggots and a crowd of soldiers observes... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: The cartouche surrounding these crowned Arms contains the motto of the Order of the Garter and English Arms, "Honi soit qui mal y pence" ["Shame to him who thinks evil of it"]. "Vivat Re[gina]." ["Long live the queen"] in flag above; "E.R." ["Elizabetha Regina" / "Elizabeth, queen"] flanking bes... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Leading a prison Bible study, Smith sits on a stool and places his right hand on an open Bible. A man behind Smith folds his hands in prayer, while Smith instructs four others who share the cell with him. Among his audience, one holds an open Bible and one carries a Bible in his left hand. A fift... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Soldiers prepare to light the fire that will consume Barnes, Garret, and Jerome, who stand among faggots. This execution transpires at Smithfield, a location outside London wall that witnessed heresy executions during the reigns of Henry VIII and Mary I. A richly dressed man supervises from horse... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Hunne hangs dead from a ceiling beam in Lollards' Tower, an episcopal prison at St. Paul's Cathedral in London, while his three alleged murderers exit. One murderer, who holds keys to the cell, blows out a candle on his way out. Foxe argues that Hunne was murdered before being hanged, but this th... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Flanked by John Day, Foxe, and, possibly, Sir William Cecil, Queen Elizabeth I sits enthroned over the pope, who holds broken keys of his office. An initial "C" frames her in the style of a cornucopia. The dais on which the queen sits contains the xylographic identification, "Elisabetha Regina" [... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Justice stands blindfolded on a pedestal in this iconoclastic Protestant allegory. She grasps a sword in her right hand and scales in her left, which symbolize her authority and her impartiality. On the left side of the image, Christ (designated by a nimbus) and his followers, all of whom are bar... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: The obverse of this medal presents the right side of Hus's face in profile ("Credo unam esse ecclesiam sanctam Catholicam. Io. Hus Anno A. Christo [condem]nato 1415" ["I believe there is one holy Catholic church. John Hus, convicted in the year of Christ 1415"]). The reverse depicts Jerome tied t... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Martin Bucer and Paul Fagius were continental Protestant theologians who migrated to England during the reign of Edward VI in order to escape Catholic persecution in Europe. Both died during the period of Edward's rule, at Cambridge, but religious authorities under Queen Mary exhumed their remain... -
Date: 1450~ Contributing Institution: Mount Angel Abbey Library Description: The standard English style of illumination practiced during the fifteenth century is readily distinguishable from its counterparts on the continent. The surging, rhythmic leaf patterns, sharply pointed initials, and explosive vine ornament are as aggressive as the Gothic book hand of the text. Th... View Full Item at Mount Angel Abbey Library