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Woodcuts from John Foxe’s Acts and Monuments
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Catholic Church
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Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: An executioner lowers Gardiner by chain from a gallows into a blaze. A crowd of soldiers and civilians observes, and a friar and a priest on horseback jeer. The stumps of Gardiner's bleeding wrists indicate that his hands have been cut off. According to Foxe, the execution occurs in Lisbon at the... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Flanked by angels, Christ the Judge presides at the top of this title page woodcut. The lower panels depict the opposition between the "true" Protestant and "false" Roman Catholic churches. The lower left illustrates a Protestant preacher delivering a sermon to a congregation, the members of whic... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: An angry priest flogs Pye and Mendham, who carry tapers, are dressed in loincloth, and walk barefoot with their heads bowed. This woodcut appears only in the second edition (1570). In the third (1576) and fourth (1583) editions, it is replaced by "Bishop Bonner scourges a penitent" in this collec... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: A jailor ("Gaoler" ["Jailor"]) guards Bradford ("Bradford."), while Spanish friars question him in his cell. One friar ("Alphon.") questions Bradford directly, and a second friar ("confessor.") and a priest stand behind the first friar. Bradford carries a book, which symbolizes a Bible, in his ri... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Nightingall, whom Foxe identifies as a Roman Catholic parson at Crondall in Kent, falls from his pulpit and into his congregation. The death supposedly occurs while the tonsured Nightingall had preached that the pope has authority to pardon sins. According to Foxe, his death demonstrates providen... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: As attendants carry him through a town in a decorated, open-air litter, the pope gestures to kneeling figures at the lower right and left of the image. Crowned kings precede him, carrying orbs that symbolize their authority, and a train of cardinals, bishops, and friars follows. The pope carries ... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Emperor Henry VI kneels before Pope Celestine III, who crowns the emperor with his foot. Cardinals, bishops, monks, and others observe. The pope carries the keys of his office in his left hand. The title of this image inaccurately identifies the pope as Celestine IV, who died in 1241, just fiftee... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Pope Alexander III stands with his right foot pressed down upon the emperor's neck. A serpentine tongue extends from his mouth, while a bishop and cardinal look on. A cartouche in the lower right displays a conversation between the emperor ("Non tibi, sed Petro." ["Not to you, but to Peter"]) and... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: A crowned Emperor Frederick Barbarossa receives a rebuke from Pope Adrian IV for mishandling the papal stirrup. Adrian rides a richly caparisoned horse and carries the keys of his office in his left hand as he delivers the rebuke. Cardinals carry an awning over the pope, bishops and friars observ... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Justice stands blindfolded on a pedestal in this iconoclastic Protestant allegory. She grasps a sword in her right hand and scales in her left, which symbolize her authority and her impartiality. On the left side of the image, Christ (designated by a nimbus) and his followers, all of whom are bar...
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