Search Constraints
Filtering by:
Collection
Illuminated Manuscripts
Remove constraint Collection: Illuminated Manuscripts
« Previous |
1 - 10 of 12
|
Next »
Search Results
-
Date: 1280? Contributing Institution: Mount Angel Abbey Library Description: Italian Gothic approaches to page design are readily distinguishable from the French. Where the Parisian Bible seeks an integration of text and decoration (Cat. 2), the Italian master blocks out his initials. Marginal grotesques and foliage meander along the borders with less regard for balancing... View Full Item at Mount Angel Abbey Library -
Date: 1350~ Contributing Institution: Mount Angel Abbey Library Description: This manuscript contains a series of homilies on the Gospels arranged by feast days. At the end of the work someone has added notes, along with the following inscription in Latin: This book is for the use of Brother Gabriel de Vultis (or Vultris) which he purchased from Brother Gabriel de Pichoti... View Full Item at Mount Angel Abbey Library -
Date: Before 1520 Contributing Institution: Mount Angel Abbey Library Description: The many Books of Hours printed by Phillipe Pigouchet (fl 1488-1518), Thielman Kerver, Antoine Vérard (fl 1485-1514) and others represent the highest artistic development of the printed lay prayer book. Medieval in conception, characteristically every page of the Hours had a full border, often ma... View Full Item at Mount Angel Abbey Library -
Date: 1475~ Contributing Institution: Mount Angel Abbey Library Description: Of the various centers of illumination in northern France during the late fifteenth century, Rouen was undoubtedly the most productive source for lavishly decorated Books of Hours. Large numbers of these manuscripts betray a homogeneous but elegant standard of production less inclined to original... View Full Item at Mount Angel Abbey Library -
Date: 1475~ Contributing Institution: Mount Angel Abbey Library Description: This exquisite little Book of Hours is a fine example of illumination as practiced at the heart of the Italian Renaissance. The Italian approach to the figure and composition is restrained and elegant, less vigorous and diffuse than Flemish naturalism of the same period. The borders are bold and ... View Full Item at Mount Angel Abbey Library -
Date: 1420/1425 Contributing Institution: Mount Angel Abbey Library Description: The strength of Parisian influence during the late 14th and early 15th centuries drew talented illuminators from many outlying regions. The influx of masters from the north, especially Flanders, helped bring about distinctive changes in French style — the mixture of Gothic elegance with emerging ... View Full Item at Mount Angel Abbey Library -
Date: 1480/1499 Contributing Institution: Mount Angel Abbey Library Description: In flanders the last phase of manuscript illumination is marked by a dramatic redefinition of the relationship between texts and decoration. The school of illumination centered in the major artistic capitals of Ghent and Bruges drew heavily on contemporary panel painting as a source for miniature... View Full Item at Mount Angel Abbey Library -
Date: 1520? Contributing Institution: Mount Angel Abbey Library Description: By the turn of the sixteenth century manuscript illumination was well into its final phase. and-made Books of Hours had to compete with less expensive printed editions available in large numbers by this time. The richly illuminated vellum codex had become a pretense in an era of rapidly changing ... View Full Item at Mount Angel Abbey Library -
Date: 1475/1495 Contributing Institution: Mount Angel Abbey Library Description: The courtly, decorative style of northern France tends increasingly to approach the book as an ornament. Dazzling displays of gold and jewel-like colors enliven the miniatures and border designs. Borders are commonly divided into compartments with alternating background. View Full Item at Mount Angel Abbey Library -
Date: 1525~ Contributing Institution: Mount Angel Abbey Library Description: This Book of Hours is illustrated in a style which is a successful blending of Italian and Northern influences. The miniatures are set in architectural frames and typical is the division of the picture-space into two sections by a descriptive scroll. The total number of illustrations, large and s... View Full Item at Mount Angel Abbey Library