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Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Friars forcibly remove Bilney from his pulpit outside Saint George's Church in Ipswich ("Friers pulling Bilney out of the pulpit." ["Friars pulling Bilney out of the pulpit"]; "Saint Georges churche in Ipswich." ["Saint George's church in Ipswich"]). The congregation of men, women, and children s... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: James Bainham stands barefoot on a raised platform and undergoes penance before a congregation at St. Paul's Cathedral in London. He carries a bundle of wood and a lit candle, and a tonsured priest gestures to the congregants from behind him. This woodcut appears once in the second (1570), third ... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Henry IV, King of Germany and future Holy Roman Emperor, awaits Pope Gregory VII (Hildebrand) before the closed gates of Canosa in January 1077. He stands barefoot with his wife and son who also stand barefoot. Clerics and monks mock the king from above, while Gregory dallies with a woman. This w... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: The pope rides through a street on a richly caparisoned horse. The Holy Roman Emperor walks beside him as a subordinate who holds his bridle. Crowned kings precede the pope and carry orbs, which symbolize their authority. Bishops and cardinals follow him, and others kneel in the lower right foreg... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: In this iconoclastic woodcut allegory of the English Reformation, King Henry VIII sits enthroned on a raised dais over Pope Clement VII ("P. Clem" [Pope Clement]), whose tiara lies discarded before him. John Fisher, Bishop of Rochester ("B. Fisher" [Bishop Fisher]) bends over the pope, while Card... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: A crowned Emperor Frederick Barbarossa receives a rebuke from Pope Adrian IV for mishandling the papal stirrup. Adrian rides a richly caparisoned horse and carries the keys of his office in his left hand as he delivers the rebuke. Cardinals carry an awning over the pope, bishops and friars observ... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Nightingall, whom Foxe identifies as a Roman Catholic parson at Crondall in Kent, falls from his pulpit and into his congregation. The death supposedly occurs while the tonsured Nightingall had preached that the pope has authority to pardon sins. According to Foxe, his death demonstrates providen... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Justice stands blindfolded on a pedestal in this iconoclastic Protestant allegory. She grasps a sword in her right hand and scales in her left, which symbolize her authority and her impartiality. On the left side of the image, Christ (designated by a nimbus) and his followers, all of whom are bar... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: Henry IV, King of Germany and future Holy Roman Emperor, surrenders his crown to Pope Gregory VII (Hildebrand), who sits enthroned. Henry's wife and son kneel beside him, and cardinals and bishops observe with approval. The pope carries the keys of his office in his right hand. The events in this... -
Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries Description: A barebacked man carries a burning taper in his left hand, while Bishop Edmund Bonner ("Bon[n]er") flogs him from behind. A crowd observes. This woodcut appears twice in the fourth edition (1583) to illustrate the penance of John Florence (sig. LL6r [right], p. 659) and Tho. Pye and John Mendham ...
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