Skip to Content

Search Results

Search Constraints

Filtering by: Contributing Institution Ohio State University Libraries Remove constraint Contributing Institution: Ohio State University Libraries
Number of results to display per page

Search Results

  • 3b591g32w?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: John Bent, who stands bare-chested with hands raised as in prayer, stands chained to the stake while flames and smoke surround him. Bent is surrounded by a group of soldiers; one soldier, in the bottom left-hand corner of the image, stokes the fire beneath Bent's feet. Revised design of Luborsky and Ingram 11223/39, which appears in the second, third, and fourth early English editions (1570, 1576, 1583) to illustrate various martyrdoms, but in the third edition (1576) it is only used to represent the martyrdom of John Bent. JPEG file (464 KB).
  • St74cx52z?file=thumbnail
    Creator: Foxe, John, 1516-1587
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Complete set of woodcut illustrations from the first (1563), second (1570), third (1576), and fourth (1583) English editions of John Foxe’s Actes and Monuments; complete set of woodcut illustrations from the second Latin edition (1559); title page images from the Latin editions (1554 and 1559); and Kalender and almanacs selected from first four English editions. Materials supplied from the collections of The Ohio State University Libraries and Bridwell Library, Southern Methodist University; Large three-page composite woodcut, “Table of the Ten First Persecutions of the Primitive Church,” here included by permission from the personal library of John N. King, Distinguished University Professor and Humanities Distinguished Professor of English & of Religious Studies, The Ohio State University. The image-specific metadata incorporates Foxe inventory numbers supplied by Ruth Samson Luborsky and Elizabeth Morley Ingram, A Guide to English Illustrated Books, 1536-1603, 2 vols. (Tempe, AZ: Medieval & Renaissance Texts & Studies, 1998). Unless otherwise noted, woodcut illustrations appear once in each specified edition and only in designated editions. Woodcuts occur in the database in the order of their first appearance in the Foxe volumes themselves, according to the following progression: 1554, 1559, 1563, 1570, 1576, and 1583. Foxe uses selected woodcuts repeatedly throughout the Book of Martyrs. The database employs a letter/number system to describe these cuts, whereby numbers distinguish the use of woodcuts of similar designs and letters distinguish each use of any given cut across different Foxe editions. The names of martyrs given with these repeated cuts are transcribed verbatim from respective Foxe volumes. Square brackets indicate expanded abbreviations or other supplied text. When modernized versions of literatum transcriptions are not given, the modern use of “u/v” and “i/j” is maintained. Mark Rankin would like to thank Christopher Bungard, Richard Firth Green, Leslie Lockett, Christopher Manion, Katie Rankin, and Rocki Wentzel for assistance with translation. Thanks also go to Marti Alt, Wesley Boomgaarden, Harry Campbell, Valerie Hotchkiss, John N. King, Ben McCorkle, and Betsy Walsh, as well as the staff of the Rare Books and Manuscripts Library of The Ohio State University and the staff of Special Collections, Bridwell Library, Southern Methodist University. A Bridwell Library Visiting Scholar’s Fellowship facilitated the completion of the work.
  • Vd66w578j?file=thumbnail
    Creator: Foxe, John, 1516-1587
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Complete set of images (mostly engravings) from the ninth (1684) edition of John Foxe’s Acts and Monuments of Matters most Special and Memorable, Happening in the Church (“Book of Martyrs”), including the title page images of the three volume set, the “Kalender” of martyrdoms, the title page for an added section in volume 3: "A Continuation of the Histories of Forreign Martyrs," and the Table (index). Materials supplied from the collections of The Ohio State University Libraries and Bridwell Library, Southern Methodist University. Inventory numbers supplied by Ruth Samson Luborsky and Elizabeth Morley Ingram, A Guide to English Illustrated Books, 1536-1603, 2 vols. (Tempe, AZ: Medieval & Renaissance Texts & Studies, 1998), are used to compare the images in this 1684 collection with the woodcuts in the early English editions (see ATLA’s CDRI collection “Woodcut Illustrations from the First Four English Editions of John Foxe’s Actes and Monuments”). Square brackets indicate expanded abbreviations or other supplied text. When modernized versions of literatum transcriptions are not given, the modern use of “u/v” and “i/j” is maintained.
  • Ws859n748?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: An emperor kneels and kisses the pope's right foot, while cardinals, clerics, a monk, and others observe. The pope carries the keys of his office in his right hand. In an insert at the pope's right, a jester kneels and points upward at the pope with one hand and downward at a chained monkey with the other. The damage to the OSU copy of this illustration (pictured here) results from a reader having defaced the woodcut in an apparent act of censorship. The image is the fourth in the "Proud Primacy of Popes" series and appears in the second (1570), third (1576), and fourth (1583) editions. Luborsky and Ingram 11223/27. JPEG file (4.49 MB).
  • Pz50h3388?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Emperor Henry VI kneels before Pope Celestine III, who crowns the emperor with his foot. Cardinals, bishops, monks, and others observe. The pope carries the keys of his office in his left hand. The title of this image inaccurately identifies the pope as Celestine IV, who died in 1241, just fifteen days after becoming pope. Celestine III reigned from 1191-98 and crowned Emperor Henry VI, whose reign spanned the same dates. This woodcut is the fifth in the "Proud Primacy of Popes" series and appears in the second (1570), third (1576), and fourth (1583) editions. Luborsky and Ingram 11223/28. JPEG file (4.32 MB).
  • 1544bw07c?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: King John of England kneels and yields his crown to Pandulphus, the papal legate, who sits in a presence chamber on a slightly raised dais. Bishops and monks observe with approval, but others (presumably laity) do so with suspicion. A cityscape is visible beyond a colonnade. This woodcut is the eighth in the "Proud Primacy of Popes" series and appears in the second (1570), third (1576), and fourth (1583) editions. Luborsky and Ingram 11223/30. JPEG file (4.4 MB).
  • Hd76s5678?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: In this iconoclastic woodcut allegory of the English Reformation, King Henry VIII sits enthroned on a raised dais over Pope Clement VII ("P. Clem" [Pope Clement]), whose tiara lies discarded before him. John Fisher, Bishop of Rochester ("B. Fisher" [Bishop Fisher]) bends over the pope, while Cardinal Reginald Pole ("Pole D" [Doctor Pole]) looks up at Henry from the king's left. Thomas Cromwell ("Cromwe" [Cromwell]), Henry's vicegerent for religious affairs, and Thomas Cranmer ("Cranmer"), Archbishop of Canterbury, receive the English Bible from Henry, who holds a sword that symbolizes his temporal authority over the church. The presence of the sword and the book in this image echoes similar designs that appear on title pages of vernacular English Bibles, which were published with crown approval in the 1530s. Alarmed, the Catholic clergy mourn Clement's fall, while other courtiers observe from both sides of the throne. The Royal Arms above Henry's head accentuates the king's newfound primacy over the Church of Rome. This woodcut appears in the second (1570) and third (1576) editions at Foxe's discussion of the Act of Supremacy (1534), which legalized Henry's authority as Supreme Head of the Church of England. The image appears in the fourth edition (1583) at the opening of Foxe's discussion of Henry's entire reign, replacing "King Henry VIII sits in his council chamber with advisers" in that location. Luborsky and Ingram 11223/48. JPEG file (3.98 MB).
  • 8w32rc41z?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Nightingall, whom Foxe identifies as a Roman Catholic parson at Crondall in Kent, falls from his pulpit and into his congregation. The death supposedly occurs while the tonsured Nightingall had preached that the pope has authority to pardon sins. According to Foxe, his death demonstrates providential disapproval of papal authority. Individual members of Nightingall's congregation hold rosary beads. (See also the lower right panel on the title page woodcut in this collection.) This woodcut appears in the second (1570), third (1576), and fourth (1583) editions. Luborsky and Ingram 11223/65. JPEG file (4.05 MB).
  • 0r9679787?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Workers lower Gardiner into a fire from a gallows, and a group of soldiers observes from a distance. The martyrdom occurs on a Portuguese shoreline. The stumps of Gardiner's wrists drip blood, following the removal of his hands. This woodcut appears only in the 1559 Latin edition. No Luborsky and Ingram #. JPEG file (2.43 MB).
  • Rj430b207?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: As Margery Polley burns, she gazes upward and crosses her arms at her chest. She is fully clothed. The martyrdom occurs at Tonbridge. This woodcut appears in the second (1570), third (1576), and fourth (1583) editions. Luborsky and Ingram 11223/73. JPEG file (4.06 MB).